Signed or unsigned
A pencil signature and edition number are what separate a collector's print from a book plate. The same image can exist as both, and the signed impression sells for many times more.
Mostly lithographs: most sell for £1,000–5,000 at auction, the sought-after suites far more, unsigned book plates far less.
About 87% of auction lots are printsMost £1,000–5,000 at auctionCatalogued by Cramer and Mourlot
Most Chagall prints that come to auction sell for about £1,000–5,000 — prints make up around 87% of his auction lots. Hand-signed, numbered colour lithographs from well-known suites sit at the top of that range or above it, and the most sought-after suites such as Cirque reach tens of thousands. Unsigned lithographs issued in books and in Derrière le Miroir sell for a small fraction of a signed impression.
Figures reviewed September 2026
Chagall worked with the Mourlot studio in Paris for decades, and lithographs are the bulk of what reaches the market. That is good news for owners — there is a deep, visible auction record — and it means a Chagall print is priced almost entirely on which kind of print it is.
The largest distinction is between signed, numbered impressions pulled for the art market and the unsigned lithographs issued in books, portfolios and the Maeght gallery's Derrière le Miroir magazine. Both can be original lithographs; the signed impression is worth many times more. Sheets described as after Chagall — many drawn onto the stone by the printer Charles Sorlier — are a further step down, and photomechanical reproductions carry decorative value only.
Chagall is one of the few artists with a functioning committee: the Comité Marc Chagall in Paris issues opinions on works submitted to it. For prints, the Cramer catalogue and the Mourlot catalogues are the practical reference.
| Category | Typical auction range | What moves it most |
|---|---|---|
| Signed, numbered colour lithographs and etchings | Typically £1,000–5,000; major images more | Image, edition, colour, condition |
| Sought-after suites (Cirque, Daphnis et Chloé) | Well above the typical range; complete sets far more | Completeness, condition |
| Unsigned lithographs from books and Derrière le Miroir | A small fraction of a signed impression | Image, double-page sheet, condition |
| Lithographs after Chagall, often by Charles Sorlier | Below Chagall's own lithographs | Signature, edition |
| Posters and photomechanical reproductions | Decorative value | Framing |
Artprice data via Mark Littler: prints are about 87% of Chagall's auction lots, most selling for £1,000–5,000. Reviewed September 2026.
The things a buyer prices in, in roughly the order they look for them.
A pencil signature and edition number are what separate a collector's print from a book plate. The same image can exist as both, and the signed impression sells for many times more.
An impression Chagall drew on the stone himself sits above one described as after Chagall, where a printer transferred his design. The catalogue entry says which is which.
Cirque, Daphnis et Chloé and the Bible are the suites collectors look for. A plate from one of them sells above a comparable single print, and a complete set above the sum of its sheets.
Chagall's colour lithographs are priced on how fresh their colour is. Light fading, toned paper, foxing and trimmed margins take a large share off.
Signed Chagall lithographs sell steadily through the prints and multiples departments of international and mid-tier auction houses, where the results are public and the buyers international. Unsigned book plates are usually better placed with a print dealer or an online auction, where fees are proportionate to the price.
Before consigning, find the catalogue number and measure the sheet; the house will ask for both, and a print that can be matched to its entry sells with less discount for doubt.
Indicative ranges for honest condition, never an appraisal or a quotation. The house buys, sells and values nothing; a specialist who can see the piece is the only one who can price it.
Lovenhall ArtThis page reads the market. The instrument reads what you are holding — recognised from a photograph, with a range for its kind.