The Field catalogue
Albert Field's catalogue records what Dalí actually authorised. A print that matches it in image, size, edition and publisher has a market; one that does not is priced as decoration.
The most forged print market in modern art: authentic signed prints about $500–5,000, pre-signed sheets far less.
Signed prints about $500–5,000Divine Comedy woodcuts about $1,500–2,000Catalogued by Albert Field
Authenticated, signed Dalí prints generally sell for about $500–5,000, and single wood engravings from his Divine Comedy suite for around $1,500–2,000. The Dalí print market is the most forged in modern art: sheets he signed blank and that were later printed with images he never authorised sell for far less, and photomechanical reproductions carry decorative value only. A match in Albert Field's catalogue decides where a print lands.
Figures reviewed September 2026
In the 1960s and 1970s Dalí signed very large quantities of blank sheets, which were later printed with images he had no hand in. The result is a print market where a genuine signature proves almost nothing about the image beneath it, and where paperwork is priced as highly as the picture.
Genuine, catalogued suites have a real if modest market. The hundred wood engravings for the Divine Comedy, published by Les Heures Claires, are the most familiar; single sheets sell for around $1,500–2,000. Everything else starts from a presumption against it until it has been matched to Albert Field's catalogue of the graphic work.
Because the market discounts doubt so heavily, the difference between a documented Dalí print and an undocumented one is often larger than the difference between two images.
| Category | Typical range | What moves it most |
|---|---|---|
| Catalogued, authorised signed prints | About $500–5,000 | Suite, publisher, condition |
| Divine Comedy wood engravings, single sheets | About $1,500–2,000 | Canto, colour, condition |
| Pre-signed sheets with unauthorised images | Heavily discounted | Essentially decorative |
| Photomechanical reproductions | Decorative value | Framing |
| Paintings and unique works | A separate, strong market | Provenance and specialist opinion |
Reviewed September 2026. Signed-print range from auction house guidance; Divine Comedy figures from 2025–26 sales and listings.
The things a buyer prices in, in roughly the order they look for them.
Albert Field's catalogue records what Dalí actually authorised. A print that matches it in image, size, edition and publisher has a market; one that does not is priced as decoration.
On most artists a pencil signature is strong evidence. On Dalí it is close to neutral, because the signature and the printing may have nothing to do with each other.
Known publishers and their documentation — the Divine Comedy's Les Heures Claires among them — support a price. A certificate from a dealer with no named publisher behind it does not.
Within the genuine market, fading, toning and trimmed margins move a print from the top of its range to the bottom.
Catalogued Dalí prints sell through prints departments and specialist print auctions, which will ask for the Field number before accepting one. Expect a house to decline anything it cannot match, which is itself useful information.
Undocumented prints rarely justify auction fees. If a piece cannot be matched to the catalogue, a specialist opinion costs less than a failed consignment.
Indicative ranges for honest condition, never an appraisal or a quotation. The house buys, sells and values nothing; a specialist who can see the piece is the only one who can price it.
Lovenhall ArtThis page reads the market. The instrument reads what you are holding — recognised from a photograph, with a range for its kind.